Jax wrote: ↑Tue Jan 23, 2018 8:42 am
You know, I never saw Earl Doherty as in it for the money. It was always obvious to me that what he was doing was because he had an honest interest in the subject. I personally am grateful for his contributions, not because I agree with all of his conclusions (I don't) but rather for presenting arguments for a different point of view and pointing out problems with the accepted view of Christian origins. He is an important source for me in my education relating to this subject. I also appreciate Lena Einhorn, not for her conclusions (which I almost completely disagree with) but for pointing out problems inherent in the system.
As for Carrier, all he has to do is do basic competent historical research relating to early Christianity to outshine most of the competition and therefore sell lots of books. Again, I read him and not for his conclusions but rather because his research is head and shoulders above most of the rest.
I'm afraid that when it comes to Carrier, it's precisely his methodology which stinks most of all, imo. I have elaborated on this on other threads so won't repeat myself here.
Yes, different, radical and/or challenging points of view are good, in principle. I certainly don't decline to subscribe to any of them just because of that.
It might even be the case that (what I at least consider to be) extreme theses, to the point of being almost untenable if not outright daft theses, at least make other radical theses seem less controversial by comparison, and thus perhaps pave the way for a wider acceptance of 'non-mainstream' alternatives.
As to Einhorn, I have just finished her book and thankyou for recommending it because I found it extremely interesting. Unlike you, I am (currently at least, fresh from being in thrall to the book as I am) not inclined to necessarily disagree with her conclusions.
That said, and here might not be the place to discuss it, I do have a couple of queries. The first is that if she is right in saying that the NT is essentially a covert tale about a militant/rebel (as she put it, a tale that the writers felt needed to be preserved, but could not be told overtly), then where did all the love and pacifism come from? Was it purely invented as a foil? Was it an aspect of the man himself? Or was it derived from somewhere or someone else? I believe for example there are those who think there was a gnostic Chrestus ('good man') whose noble spirituality was plaigirised by Christians. Dunno. I have not, as yet, come close to being convinced that 'Chrestian' was anything other than a translation issue.
My second query was to wonder who Einhorn thought 'Paul' was, or how he fitted into her picture, since she didn't seem to get into this.