Jörg Rüpke discusses Shepherd of Hermas in
Pantheon: a New History of Roman [Era] Religion, 2018
After briefly noting
(in chapter VII §4, 'Places where Religion was Experienced') -
Hermas, reports having important visions not only on lonely roads or at workplaces remote from the city, but also in his own bedroom [78: Shepherd 8.1, 9.1; on the text, Peterson 1959, Hellholm 1980, Rüpke 2005b, 2015b]
- Rüpke wrote a fuller description
(in X §4. 'Prophetesses and Visionaries'), starting by calling
Shepherd of Hermas an
.
"apocalyptic text “revelatory” of the occult, far less radical [than oracular texts, “Sybilline books,” and apocalypses such as 4 Ezra, Enoch, and the Apocalypse of St. John, all of them with a clearly anti-Roman bent, just as their predecessors had had an anti-Hellenistic bent. Their authors were likely members of the former elite, who no longer shared in governing and now therefore branded the regime with the stigma of foreign rule. In order to be rid of unwanted but authoritative texts such as these, Augustus and Tiberius examined and burned thousands of them. But a substantial number were back in circulation by the time of the Great Fire of Rome in 64]
"but [Hermas was] all the more popular, [making] its advent in Rome shortly before the middle of the second century. It was a substantial text, released in several stages (probably because of continuing demand), and the author—if, that is, we are to believe the first-person narrator (and he set store by being believed)—was the Hermas briefly mentioned above (Ch. 8.4).
"This Hermas faced the problem shared by every “seer”: how to make his message credible as authentic revelation. The problem was all the more acute for an author who was not backed by an institution, such as a shrine of Asclepius or an oracle. And, if his text was destined merely to be read, he even had to forgo the impact of his own persuasive presence as a speaker. It was for this reason that the eponymous John of the Apocalypse, in what was a slightly older text, identified with a probably real name, also supported his claimed authority on prophetic tradition and astrology [57]. Hermas, on the other hand, began on a more aggressively autobiographical note, even down to his frailties and details of his living and working environment [58]. He then developed the idea of apocalypse stage by stage on the basis of contemporary reflections concerning the possibility of divination by visions [59].
"This author allows us a rare insight into the problems of visionary communication in the presence of others [60: on the following see Gordon, 2013b]. In the spirit of contemporary philosophical tracts, Hermas’s text is evidently targeted at individual listeners and readers, to whom he offers the possibility of self-development. It was to this end that he initially sought entry to institutional settings, so as to have his text read out as a heavenly missive within a circle of presbyteroi and episkopoi [61: Shepherd 8.3]. He perhaps used another circle to admonish one Maximus, known to his audience [62: Shepherd 7.4; see Leutzsch 1989, 70–71]. A woman called Grapte was to read the text out to widows and orphans, and a Clement to disseminate it in letter form [63: Shepherd 8.3].
"That recipients urged the author on to ever new visions, copied his work, and quickly translated it into Latin and the languages of Syria and Egypt, demonstrates the success of this reading therapy aimed at individual transformation within the “congregation” (ekklesia), and at both spiritual and behavioral change (metanoia). Only occasionally does the author allow the reader to see that he is thinking of followers of Christ, who know what a Sybil is, but perceive her as something other.
"Other than whom? Hermas assumed that his first hearers and readers were familiar with Roman institutions, such as the military, and with Italic economy and agriculture. Critical, however, was their being “citizens” [64]. As was typical for citizens of an empire, Hermas’s audience already had what amounted to double citizenship. They were at the very least inhabitants of Rome, and Hermas was now trying to awaken them to a further relationship with a heavenly city, an alternative to the Jerusalem that was definitively lost. Contemporary texts from the eastern Mediterranean urged their readers to foresee Rome’s apocalyptic destruction, which they themselves as individuals might bring about by adopting a new lifestyle [65: Apocalypse 17–18; 4 Esra 11–12; Sibylline Oracles 5.408–27; Jones 2011].
"As opposed to the fantasies he spun for his audiences in distant provinces, Hermas had also to address an audience that lived in this very Rome, and beheld with wonder an infrastructure recast in flawless marble by the Flavians [66]. So, in the images he uses, he relies not on that other city, but on an architectural feature that was universally conceivable in perfect or (at least) perfectible form: a tower. He gives his female oracular figure a Roman magisterial throne, and has her accompanied by six youths after the fashion of official attendants [67: Shepherd 9 (visio 3.1), 4, and vis 1.4.1 and 3; vis 3.1.6 and 10.1].
"These were not end-time alternatives, but mental images, conceptions to be nurtured in the here and now. There was not even any need for built structures: the concern expressed is for widows and orphans, and for the winning of souls in this earthly city with which the pastoral habitations of his audience’s other city coexist [68: Shepherd 50.8–10]. To increasingly individualized addressees, it was vital not to hold out the prospect of a popular uprising. Such individuals might in any event arrive at unusual, deviant decisions: Perpetua was represented at the beginning of the third century as a visionary who used dream images to legitimize a radical departure from familiar social roles, including that of motherhood [69].
"Visionaries were not an exceptional phenomenon (fig. 59). But the sources of their revelations might vary greatly: they could come from a god in the form of a snake, like Glycon; from the one God; from new interpretations of older inspired texts; and, of course, as per the standard accusation, from the repository of the visionary’s own imagination, evil nature, and deceitfulness. Lucian, Celsus, and those who understood Montanus and his female acolytes as prophets (naturally, false ones) were in agreement about the frequency of such phenomena: religious authority, in both textual and personal form, was apparently easily obtained: perhaps not more easily than before, but by people from different social milieus. Observers, in any case, were seeing religious communication more frequently as dissident."
Rüpke, Jörg. Pantheon (pp. 310-313). Princeton University Press. Kindle Edition.
57. Satake 2008, 126; Malina 2002; see Taeger and Bienert 2006, 162–63.
58. Osiek 1999, 24; Rüpke 2013b.
59. Rüpke 2005b.
64. Lieu 2004, 243. Cf. Cicero, On the laws 2.5, and the discussions of the Alexandrian Jews in Josephus, Against Apion 2.6, and Diognetus 5–6.
66. On the Flavians: Boyle and Dominik 2003; cf. Rüpke 2012i for a somewhat earlier text in Rome, and Nasrallah 2010 for eastern Mediterranean cities. Cf., on the other hand, modes of reference in John’s Apocalypse, Karrer 2012.
69. Waldner 2012.
.
The following list of references from the bibliography refer to some cited in the footnotes or otherwise have Hermas in their title -
Hellholm, D. 1980. Das Visionenbuch des Hermas als Apokalypse: Formgeschichtliche und texttheoretische Studien zu einer literarischen Gattung 1: Methodologische Vorüberlegungen und makrostrukturelle Textanalyse. Textanalyse. Coniectanea biblica, New Testament Series 13:1. Lund.
Gordon (2013b) “Individuality, Selfhood and Power in the Second Century: The Mystagogue as a Mediator of Religious Options,” in J. Rüpke and G. Woolf, eds., Religious Dimensions of the Self in the Second Century CE. Studien und Texte zu Antike und Christentum 76. Tübingen. 146–71.
Jones, K. R. (2011) Jewish Reactions to the Destruction of Jerusalem in A.D. 70: Apocalypses and Related Pseudepigrapha, Suppl. to the Journal for the Study of Judaism 151. Leiden.
Leutzsch, M. (1989) Die Wahrnehmung sozialer Wirklichkeit im “Hirten des Hermas”, Forschungen zur Religion und Literatur des Alten und Neuen Testaments 150. Göttingen.
Lieu, J. M. 2004. Christian Identity in the Jewish and Graeco-Roman World. Oxford.
Lipsett, B. D. (2011) Desiring Conversion : Hermas, Thecla, Aseneth. New York.
Magnay, A. (2015) “From Material Place to Imagined Space: Emergent Christian Community as Thirdspace in the ‘Shepherd of Hermas’,” in M.R.C. Grundeken and J. Verheyden, eds., Early Christian Communities between Ideal and Reality. WUNT. Tübingen. 143–60.
Malina, B. J. 2002. Die Offenbarung des Johannes: Sternvisionen und Himmelsreisen. Stuttgart.
Miller, P. C. (1988) “ ‘All the Words were Frightful’: Salvation by Dreams in the ‘Shepherd of Hermas’.” Vigiliae Christianae 42: 327–38.
Osiek, C. (1999) Shepherd of Hermas: A Commentary. Hermeneia. Minneapolis.
Peterson, E. (1959) “Beiträge zur Interpretation der Visionen im Pastor Hermae.” In E. Peterson, Frühkirche, Judentum und Gnosis: Studien und Untersuchungen. Freiburg i. Br. 254–70.
Rüpke, J. (1999) “Apokalyptische Salzberge: Zum sozialen Ort und zur literarischen Strategie des ‘Hirten des Hermas’.” Archiv für Religiongeschichte 1: 148–60.
Rüpke, J. (2005) “Der Hirte des Hermas: Plausibilisierungs- und Legitimierungsstrategien im Übergang von Antike und Christentum.” Zeitschrift für antikes Christentum 8: 276–98.
Rüpke, J. 2013) “Fighting for Differences: Forms and Limits of Religious Individuality in the ‘Shepherd of Hermas’,” in J. Rüpke, ed., The Individual in the Religions of the Ancient Mediterranean. Oxford. 315–41.
Rüpke, J. (2015) “Der Hirte des Hermas: Visionsliteratur als Anleitung zu religiöser Praxis in Textproduktion und -rezeption.” In P. Eich et al., eds., Alejandro, Aníbal y Constantino. Tres personajes históricos y una vida dedicada a conocerlos mejor (Homenaje a Pedro Barceló en su jubilación académica)—Alexander, Hannibal und Constantin. Drei historische Persönlichkeiten und ein Forscher, der sich ihnen widmet (Festschrift für Pedro Barceló). Institut des Sciences et Techniques de l’Antiquité, Lyon.
Satake, A. 2008. Die Offenbarung des Johannes. Göttingen.
Taeger, J.-W., and D. C. Bienert. 2006. Johanneische Perspektiven: Aufsätze zur Johannesapokalypse und zum johanneischen Krei,s 1984–2003. Göttingen.
Waldner (2012) “Vision, Prophecy, and Authority in the Passio Perpetuae,” in J. N. Bremmer and M. Formisano, eds., Perpetua’s Passions: Multidisciplinary Approaches to the Passio Perpetuae et Felicitatis. Oxford. 201–19.