neilgodfrey wrote:Much comes down to how we read Mark more generally, I think. There is very little I find in Mark that reads naturally. But Matthew and/or Luke have ironed out many of the oddities so it is easy to miss just how bizarre and unreal Mark does sound at so many levels. Hence the long held view that he was an incompetent compiler of disparate traditions, but . . . .
I appreciate the effort to weed Matthew and Luke out of Mark; I am all in favor of it, and strive to do so myself. I am not ashamed to admit that Mark is simply my favorite gospel; I love its little oddities, its strange mixure of Aramaicisms and Latinisms, the way it ascribes such emotional swings to its main character, its starkness, its darkness, its intercalations, its apocalyptic moments, its raw miracles ripped straight from the LXX. I reject that he was incompetent; I am at peace with the possibility that he regarded it as a work in progress; I think that, whatever he thought he was creating at the time, he ended up basically creating (or at least jumpstarting) a new genre or subgenre:
gospel of Jesus Christ, which grew to be quite an important kind of text in the early church.
I have been seriously evaluating my predilections of late, those deeply held ways of approaching the text (
any text). I think I am far from changing any of them, but I have made some headway in identifying them.
Take the name game we were talking about, for example. I
like the idea that Mary and her husband (not going to say Joseph, since we are reading Mark without help from Matthew and Luke) simply gave their four children popular Jewish names, and Mark recorded it. Lest you suspect that it is all about the historicity, consider that I also
like the idea that Mark invented the whole tale, pretty much top to bottom, but included such details simply for verisimilitude, them being popular Jewish names and all. But
like is not a strong enough word here. Both of those options make sense to me on a very deep level. Both seem inherently plausible and easy, very easy for me to accept as
modus operandi for what Mark is doing in such cases.
But start to propose complicated schemes in which those names are code words for certain Jewish revolutionaries, or certain aspects of the early church, or a wink and a nudge in the direction of the patriarchs... and it just does not
feel right to me. I find it very hard to accept.
Part of what turns me off in such cases may well be the very multiplicity of possibilities, and the fact that even those who think a game is being played either completely disagree on the rules or have to freely admit that all kinds of things are possible. Maybe that is just too loosey-goosey for me. When it comes, say, to a lot of the miracles and signs and such, the playing field seems very different. One can suppose that Jesus really did work a miracle, or one can suppose that the tradition just kind of slowly attributed a miracle to him, or one can notice the intense allusions to the LXX and suspect that somebody simply constructed the miracle based on that authoritative text; at
best perhaps there was a kernal of an idea there before someone took the LXX to it. I subscribe to the latter without hesitation, and I have no problem at all with Mark himself being the one who constructed it.
But the name games, with so many options? Part of my brain acknowledges that such games are perfectly possible; authors can indeed do very strange things with their texts. My guess, though, is that if someone figures out what Mark was doing along those lines to such a level of persuasion that the theory sways the field, that person will probably not be Ben C. Smith. That kind of thinking is apparently just not my forte. I think an author has to really take steps to clue me in to the fact that he or she is working in code; and I also think that modern authors do this for me a lot more often than ancient ones do. That may be because I am naturally and understandably better at picking up modern genre clues than ancient ones; it may also be because such games feel more modern to me than ancient, and attributing them to an ancient author feels anachronistic to me. And I may well be completely wrong about that; but again, I am talking about deeply felt ways of approaching the text, not necessarily things I am always conscious of without a great deal of introspection.
I hope I am not leading this thread too far off topic. As I said, it is something I have been thinking about a lot lately.
Ben.