Ben C. Smith wrote:JoeWallack wrote:I present this as a theory. Suppose "Mark" (author)
starts with a theme/conclusion that every natural supposed group in Jesus' supposed setting had a negative reaction to something "Mark" thinks was important about Jesus:
| Group Identification | Expectation regarding Jesus (one of their own) | Opposite result | Artistic touch of irony |
| Disciples | Followers of Jesus | Abandon Jesus | The followers of Jesus run away from him to "save" themselves. |
| Jewish religious leaders | Identify and promote the Messiah to save the Jews | Identify and convict the Messiah which convicts the Jews | Jewish religious leaders make fun of Jesus not being able to prophesy exactly as his prophecy of Peter's denial is happening right under their long noses |
| Jesus' family | Unconditional support | Unconditional opposition | They don't want Jesus seen or heard. Who is his real family? |
| Jesus' hometown | Proud of one of their own | Embarrassed by one of their own | Questioning the work of the carpenter's hands |
If you accept that "Mark" starts with a theme here (the why) than the how is secondary.
Thanks for the chart, Joe. You seem to have them stored away in your pocket, ready to flourish at a moment's notice.
All right, so I can agree with the general premise; and I have said before that nobody does abandonment and rejection like Mark.
Here are the main questions that spring to mind when I read this pericope:
- Why do the townspeople reject Jesus when the pericope specifies no reason?
- Why are they said not to believe, even though they know Jesus can do miracles?
- Why does Jesus do a few miracles anyway, despite this disbelief? (In other words, if the point is rejection, why not have Jesus shake the dust off his feet and do no miracles there at all?)
Your observations go a long way toward answering #1: Mark simply needed to work in the rejection theme, and how he got there is of lesser importance than than getting there.
JW:
You have learned much young VerseHopper. Aristotle explained that in Greek Tragedy the narrative should be
plausible so that the audience thinks it's possible. Thinking that it's possible helps the audience identify with the narrative. It does not have to be proven, probable or likely. In order to be plausible the author should give a reason:
Mark 6
3 Is not this the carpenter, the son of Mary, and brother of James, and Joses, and Judas, and Simon? and are not his sisters here with us? And they were offended in him.
As a few have already indicated here, I think "Mark" (author) meets the minimum requirement of a plausible reason here for the negative reaction of the homers. These are people who supposedly knew Jesus for most of his supposed life and their observation was that he was just like them. Now all of a sudden, without any known reason, he is famous and showing off his powers among them. Their reaction (jealousy/resentment) is different than outsiders who never previously knew Jesus. Course we're talking about a guy who suddenly can do the impossible but accepting that for purposes of the narrative logic, I think "Mark's" implied reasons here are plausible.
I think some of your disappointment here may be due to "Mark's" specific choice of the reaction word:
ἐσκανδαλίζοντο
but this isn't just any word, is it. As Hobbs said in the classic
Arthur, "Mark" "has a wonderful economy of language". "Mark" uses this word jewdiciously to paint supposed opposition and you are starting to appreciate this style of GMark. I think "Mark" has sacrificed a longer/clearer explanation to your satisfaction of why the people here are offended, instead going with the minimum plausible explanation implied by the setting. His key word than stands out more, cleverly including a range of meaning of "offended" but having a more common meaning in general and especially in GMark of failure in a religious context.
As a side observation, looking at "Mark's" use of the offending word:
Mark 9
43 And if thy hand cause thee to stumble, cut it off: it is good for thee to enter into life maimed, rather than having thy two hands to go into hell, into the unquenchable fire.
σκανδαλίζῃ*
This rather supports my argument regarding 14:28
Mark 14:28, The Argument For Addition that it is an addition as "Mark" uses the offending word twice, before and after 14:28, for the Disciples and Peter. Strange/bizarre/macabre that after "Mark's" Jesus explains via formula in a religious leader context that the cure for manifestation of this key word is to cut off at the source, in between he would describe the not cutting off of Peter and the disciples.
Joseph
The New Porphyry