At What Point Does 'Based on a Historical Character' Become Unhistorical?
Posted: Sun Mar 27, 2022 8:56 am
I saw a Tiktok video by someone I respect argue not only that Moses existed but hinted or coddled the idea that asking this question was by nature stupid and unworthy of serious scholarship. Really? People seriously question whether or not there was a historical Exodus at all but Moses's existence is an unassailable. How so? This person argued from Manetho that a real Moses must have existed because of the Egyptian records etc. But isn't that like saying that the singer in the Godfather is historical because it was based on Frank Sinatra? Surely there's a point if you keep watering down your liquor that it is no longer liquor.
So in Jesus's case maybe Mark or Peter or whomever heard or saw a prototype for Jesus. Maybe he was crucified. Maybe he wasn't. But this smug certainty that scholars have that Jesus was a 'historical person' falls somewhere between the gospel itself being an eyewitness account of 'Jesus' to outright fiction. It's within that range of possibilities rather than - as 'serious scholars' would have it the range starts from the gospel as 'verbatim history' to 'based on a historical character' like the singer in the Godfather.
I don't get why unhistorical or fiction isn't one of the possible starting points. The Godfather is admired because both Puzo and Coppola took bits of 'real life' and life experience (the Italian-American cultural scenes) and blended it with a fictitious story. I was watching a documentary where they admitted that Coppola 'romanticized' the mobsters but that art lives on a 'truer than truth' plane (sounding very much like Clement). Even Papias's testimony leaves open that the anecdotes that Mark used might have been like the bits and pieces Puzo and Coppola employed to make the Godfather, no?
So in Jesus's case maybe Mark or Peter or whomever heard or saw a prototype for Jesus. Maybe he was crucified. Maybe he wasn't. But this smug certainty that scholars have that Jesus was a 'historical person' falls somewhere between the gospel itself being an eyewitness account of 'Jesus' to outright fiction. It's within that range of possibilities rather than - as 'serious scholars' would have it the range starts from the gospel as 'verbatim history' to 'based on a historical character' like the singer in the Godfather.
I don't get why unhistorical or fiction isn't one of the possible starting points. The Godfather is admired because both Puzo and Coppola took bits of 'real life' and life experience (the Italian-American cultural scenes) and blended it with a fictitious story. I was watching a documentary where they admitted that Coppola 'romanticized' the mobsters but that art lives on a 'truer than truth' plane (sounding very much like Clement). Even Papias's testimony leaves open that the anecdotes that Mark used might have been like the bits and pieces Puzo and Coppola employed to make the Godfather, no?